Dec. 1, 2015
From The Novelist Portent by Johnny E. Mahaffey (author's profile)
This post is in reply to comments on:  The Innocuous Displeasures thumbnail
The Innocuous Displeasures
(July 6, 2015)

Transcription

Johnny E. Mahaffey The Novelist Portent
October 4, 2015 (my birthday) Reply ID: 382w

___________________

Dear jennifer07:

Thank you for reading my article. Sometimes I find myself
somewhat dejected--given my circumstances--and end up questioning
my own efforts at writing. I'm always brought back out of such
mental funks by a comment on my writing. Thank you.
Right now, South Carolina (I'm not sure if you're in this
state, or another; but if you're not, or those reading are not.)
is under a state of emergency, due to flooding. We can't even
drink the water! The prison's on a security lock-down. I'm stuck
in the cell; I'm on my bunk--I have an odd way that I bend my
legs to sit (double jointed my elders always called it)--and I'm
using the time the best way I know how: writing. Of course, earlier
I had to finish typing some legal motions for the Supreme Court
concerning the jury tampering that occurred during my trial. I
completely loath legal work.
It's like a screw being driven into my head.
slowly.
and.
without purpose....
Because every legal thing you can find, there's something
to contradict it a hundred ways from Sunday; and even in cases
that are cut and dry--you never know what to expect. I try not
to let it leak too much into my writing--but it's hard to avoid.
There's this article in the Sept/Oct issue of "Poets & Writers"
magazine, by Sonya Larson (pg. 93) that I'd like to quote from:

Everybody has an identity--we all have to think
about it. But there's this imposed voice up here,
outside of me, that I have no control over, that's
doing this additional defining. How do I interact
it? Do I ignore it? Do I engage it? How do you
do that and still get the work done?

Larson got that from the writer David Haynes during a panel
discussion at Warren Wilson College on July 3, 2015. They're speak-
ing of race and "Degrees of Diversity" (the name of the article)
in MFA programs, and writers in general, in this "evolving culture"
we have.
It applies in many ways to many writers. Prison, is part
of my current identity--what control I have of it mentally, is
pretty much zilch. I want do document it, yet not exactly embrace
it. I want to write in earnest, but not immortalize my captors,
legal oppressors, or those responsible for this mess. I do have
control of ONE aspect--I will not let it embitter me.
Thanks for reading, and for the support.
Maybe I'll send a few essays your way....
Think: Vonnegut meets Dostoyevsky, in Sunnydale.

J.E. Mahaffey

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